Theoretical "Instruments" of the Choreographic Creative Work Studying on the Basis of Musical Texture

The purpose of the article is to consider the theoretical and educational way of treating the issue of choreographic skills formation in the process of specialist training; validate theoretically the studying methods of the basis of choreography on the analysis of musical texture in specialized higher educational establishments of Ukraine. The research methodology. The method of analysis for understanding of the diversity of psychological states transmitted by music has been the determining methodological principle. The method of systematization and generalization of theoretical and empiric data has been applied to validate the scope of the term of musical texture as the sound material of the work, which includes all sound, timbre and metro-rhythmic relations. The method of selection and interpretation of musical material in ballet performances has also been used. The scientific novelty of the article is a profound study of the basis of choreographic creative work based on the analysis of musical textures for a better understanding and analysis of the musical origins of artistic vision of outstanding ballet masters. Conclusions. Analysis of musical texture allows opening a new layer in the study of the basis of choreographic work. Multilevel musical ear training contributes to the highly professional work on performances during the selection of musical material, as well as in the process of its realization in choreographic act. The article defines that ballet study more often addresses the musical terminology. The terms for studying the relationship between musical texture and choreography, proposed by the author of the article, primarily are a pattern of musical and textured choreography of dance, and a rhythmic pulse of a dance combination. The characteristic of the dance, where the proposed terminology is used in the perspective of studying of the musical texture, complements the scale of techniques and methods used by the choreographer to produce and analyze the musical and choreographic image